Following Sheila Hones’ proposal, a literary text can be analytically divided into three dimensions: intratextual, intertextual, and extratextual geographies. This paper explores a method for constructing intertextual references in a literary work, using the detective novels of Italian writer Gabriella Genisi as a case study. Genisi’s habit of ‘hosting’ characters from other detective novels in her books and having them interact with her protagonist, Lolita Lobosco, is interpreted as a narrative strategy for building intertextual references and creating her own mapping of Mediterranean Noir. In conclusion, the dialogue between crossover characters is proposed as an intertextual bridging mechanism.
Intratextual Dialogues or Intertextual Bridgings? Exploring the Intertextual Geographies of Gabriella Genisi’s Detective Fictions through Crossover Conversations / Gabellieri, Nicola. - In: LITERARY GEOGRAPHIES. - ISSN 2397-1797. - 10:2(2024), pp. 160-164.
Intratextual Dialogues or Intertextual Bridgings? Exploring the Intertextual Geographies of Gabriella Genisi’s Detective Fictions through Crossover Conversations
Gabellieri, Nicola
2024-01-01
Abstract
Following Sheila Hones’ proposal, a literary text can be analytically divided into three dimensions: intratextual, intertextual, and extratextual geographies. This paper explores a method for constructing intertextual references in a literary work, using the detective novels of Italian writer Gabriella Genisi as a case study. Genisi’s habit of ‘hosting’ characters from other detective novels in her books and having them interact with her protagonist, Lolita Lobosco, is interpreted as a narrative strategy for building intertextual references and creating her own mapping of Mediterranean Noir. In conclusion, the dialogue between crossover characters is proposed as an intertextual bridging mechanism.File | Dimensione | Formato | |
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