In 2009, part of Lara Favaretto's installation, Momentary Monument–The Wall, collapsed due to structural problems. The accident was the culmination of a mass media campaign against her controversial site-specific work in Trento (Italy): a barricade of sandbags surrounding the statue of Dante, created by the sculptor Cesare Zocchi in 1896 (a symbol of “Italianity” for this border area, the statue had been commissioned by some pro-Italian intellectuals when the region was still under the Austro-Hungarian Empire). By mimicking the barriers used to protect monuments from bombs during the wars, Favaretto's installation aimed to spread a sense of alertness among passersby, revealing the contradictions of identity when conceived as self-contained. Beyond its explicit critique of monumentality, The Wall was interpreted by the mass media as a gigantic expression of a now globalized art, pitting it against the needs of the local community, just after the economic crisis of 2007-8.

Unstable Borders: Lara Favaretto’s Momentary Monument – The Wall (2009) / Viva, D.. - In: JOURNAL OF BORDERLANDS STUDIES. - ISSN 2159-1229. - ELETTRONICO. - 2025:(2025), pp. 1-19. [10.1080/08865655.2025.2565565]

Unstable Borders: Lara Favaretto’s Momentary Monument – The Wall (2009)

Denis Viva
2025-01-01

Abstract

In 2009, part of Lara Favaretto's installation, Momentary Monument–The Wall, collapsed due to structural problems. The accident was the culmination of a mass media campaign against her controversial site-specific work in Trento (Italy): a barricade of sandbags surrounding the statue of Dante, created by the sculptor Cesare Zocchi in 1896 (a symbol of “Italianity” for this border area, the statue had been commissioned by some pro-Italian intellectuals when the region was still under the Austro-Hungarian Empire). By mimicking the barriers used to protect monuments from bombs during the wars, Favaretto's installation aimed to spread a sense of alertness among passersby, revealing the contradictions of identity when conceived as self-contained. Beyond its explicit critique of monumentality, The Wall was interpreted by the mass media as a gigantic expression of a now globalized art, pitting it against the needs of the local community, just after the economic crisis of 2007-8.
2025
Settore L-ART/03 - Storia dell'Arte Contemporanea
Settore ARTE-01/C - Storia dell'arte contemporanea
Viva, Denis
Unstable Borders: Lara Favaretto’s Momentary Monument – The Wall (2009) / Viva, D.. - In: JOURNAL OF BORDERLANDS STUDIES. - ISSN 2159-1229. - ELETTRONICO. - 2025:(2025), pp. 1-19. [10.1080/08865655.2025.2565565]
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11572/469212
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus 0
  • ???jsp.display-item.citation.isi??? 0
  • OpenAlex 0
social impact