Franchino Gaffurio's introduction to his Theorica musice (1492) takes the inveterate form of an encomium of music. However, in this case, the encomium is notable for its abundant and previously unnoticed quotations drawn f rom Greek literature. Of particular significance are the quotations f rom the De musica by pseudo Plutarch, filtered through Francesco Filelfo's Convivia Mediolanensia, and f rom Marsilio Ficino's translations of the Platonic Dialogues. The paper analyses the translators' approach to Greek sources and Gaffurio's reception of their translations, examining both linguistic and con- ceptual aspects. Furthermore, it argues that the encomium of the Theorica, rather than being mere rhetoric, serves indeed as a manifesto for a pedagogical curriculum of music studies influenced by Plato's recently rediscovered educa- tional theories.
Franchino Gaffurio’s introduction to his Theorica musice (1492) takes the inveterate form of an encomium of music. However, in this case, the encomium is notable for its abundant and previously unnoticed quotations drawn from Greek literature. Of particular significance are the quotations from the De musica by pseudo Plutarch, filtered through Francesco Filelfo’s Convivia Mediolanensia, and from Marsilio Ficino’s translations of the Platonic Dialogues. The paper analyses the translators’ approach to Greek sources and Gaffurio’s reception of their translations, examining both linguistic and conceptual aspects. Furthermore, it argues that the encomium of the Theorica, rather than being mere rhetoric, serves indeed as a manifesto for a pedagogical curriculum of music studies influenced by Plato’s recently rediscovered educational theories.
Fonti greche per nuovi modelli pedagogici nella laus musicae di Franchino Gaffurio (1492) / Pirani, Giacomo. - In: RINASCIMENTO. - ISSN 0080-3073. - 2023, LXIII:(2023), pp. 3-44. [10.1400/295238]
Fonti greche per nuovi modelli pedagogici nella laus musicae di Franchino Gaffurio (1492)
Pirani, Giacomo
2023-01-01
Abstract
Franchino Gaffurio's introduction to his Theorica musice (1492) takes the inveterate form of an encomium of music. However, in this case, the encomium is notable for its abundant and previously unnoticed quotations drawn f rom Greek literature. Of particular significance are the quotations f rom the De musica by pseudo Plutarch, filtered through Francesco Filelfo's Convivia Mediolanensia, and f rom Marsilio Ficino's translations of the Platonic Dialogues. The paper analyses the translators' approach to Greek sources and Gaffurio's reception of their translations, examining both linguistic and con- ceptual aspects. Furthermore, it argues that the encomium of the Theorica, rather than being mere rhetoric, serves indeed as a manifesto for a pedagogical curriculum of music studies influenced by Plato's recently rediscovered educa- tional theories.| File | Dimensione | Formato | |
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