The Internet of Musical Things (IoMusT) is an emerging field of academic and industrial research that extends the Internet of Things to the musical domain. Scarce research has been conducted on the fields ethical aspects, and to fill this gap we propose a framework for the ethical design and evaluation of IoMusT technologies and applications. Besides being ethically rigorous, the framework seeks to be accessible for information engineers, musicians, and the wider circle of participants in the IoMusT. The purpose is to facilitate and quicken the process of ethically designing and evaluating work at the intersection of network-based technology and musical creativity. Finally, we exemplify the framework by applying it to an IoMusT experimental performance. Beyond facilitating the ethical evaluation of technologically enhanced music, the framework also advances work in contemporary AI ethics in two ways. First, by introducing the principles of creativity and decentralization as critical to ethically exploring musical creativity. Second, by organizing the principles of AI ethics under a human-centric logic.
An Ethics Framework for the Internet of Musical Things / Brusseau, James; Turchet, Luca. - In: IEEE TRANSACTIONS ON TECHNOLOGY AND SOCIETY. - ISSN 2637-6415. - 2024:(2024), pp. 1-1. [10.1109/TTS.2024.3398423]
An Ethics Framework for the Internet of Musical Things
James Brusseau
Primo
;Luca TurchetUltimo
2024-01-01
Abstract
The Internet of Musical Things (IoMusT) is an emerging field of academic and industrial research that extends the Internet of Things to the musical domain. Scarce research has been conducted on the fields ethical aspects, and to fill this gap we propose a framework for the ethical design and evaluation of IoMusT technologies and applications. Besides being ethically rigorous, the framework seeks to be accessible for information engineers, musicians, and the wider circle of participants in the IoMusT. The purpose is to facilitate and quicken the process of ethically designing and evaluating work at the intersection of network-based technology and musical creativity. Finally, we exemplify the framework by applying it to an IoMusT experimental performance. Beyond facilitating the ethical evaluation of technologically enhanced music, the framework also advances work in contemporary AI ethics in two ways. First, by introducing the principles of creativity and decentralization as critical to ethically exploring musical creativity. Second, by organizing the principles of AI ethics under a human-centric logic.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione