Graphic Interpretation. Eileen Gray and Charlotte Perriand

The article deals with the study of two projects of Eileen Gray, an architect who had turned her perception of reality into formal delicacy and Charlotte Perriand, who was able to promote the emphasis of collective and rational living. The article proposes the “graphic re-interpretation” or redrawing of some unbuilt Eileen Gray and Charlotte Perriand’s projects designed in response to the social problems arising in 1936. Their projects of minimum temporary houses are a manifesto through which they investigates other principles of the Modern Movement with the variety of composition of small spaces in relation to the inside well-being at the human scale. The redrawing practice, shown in this article as methodological training to enrich knowledge about the historiography of these two pioneers of Modern Movement allows improving existing data of modern architecture and especially about unbuilt projects here deepened and explicated through new and unpublished drawings