The objective of this study is that one, starting from the initial considerations, to give back to the history of architecture, through drawing as a critical means of inquiry, the thought and work of some womenarchitect who, between 1926 and 1962, have designed and/or built buildings of fine architectural quality. The critical re-drawing, which in this case is mimetic to the construction of the project, wants to make manifest the thought of some figures of the Modern Movement often relegated to an unknown fate; in particular it analyses a part of the activity of Lilly Reich, Helena Niemirowska Syrkus and Charlotte Perriand. The study aims to build a graphic inedited and exhaustive repertory of some unrealized projects, carried out by these women that can be defined “pioneer” of modern architecture, giving back a female thought of the project’s construction. The drawing of architecture, as ambit of critical analysis, in this study assumes a substantial role when it investigates the project which is the central place of its true expression.
Female Architecture: Unbuilt Digital Archive / Maggio, Francesco; Vattano, Starlight; Franchina, Alice. - ELETTRONICO. - (2015), pp. 510-549. [10.4018/978-1-4666-8379-2.ch018]
Female Architecture: Unbuilt Digital Archive
Maggio, Francesco;Vattano, Starlight
;
2015-01-01
Abstract
The objective of this study is that one, starting from the initial considerations, to give back to the history of architecture, through drawing as a critical means of inquiry, the thought and work of some womenarchitect who, between 1926 and 1962, have designed and/or built buildings of fine architectural quality. The critical re-drawing, which in this case is mimetic to the construction of the project, wants to make manifest the thought of some figures of the Modern Movement often relegated to an unknown fate; in particular it analyses a part of the activity of Lilly Reich, Helena Niemirowska Syrkus and Charlotte Perriand. The study aims to build a graphic inedited and exhaustive repertory of some unrealized projects, carried out by these women that can be defined “pioneer” of modern architecture, giving back a female thought of the project’s construction. The drawing of architecture, as ambit of critical analysis, in this study assumes a substantial role when it investigates the project which is the central place of its true expression.File | Dimensione | Formato | |
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