The article proposes a critical panorama on the theatrical censorship of the work of Lope de Vega in the XVII century. From the available data and recent studies, the author defines the main types of intervention that can be documented with certainty, while accounting for significant cases of review of pieces where only hypotheses can be made about the reasons for changes, between the more than likely external pressure and the constant intention for rewriting by the dramatist.
El teatro de Lope y la censura (siglo XVII) / Presotto, Marco. - In: TALÍA. - ISSN 2659-806X. - ELETTRONICO. - 1:(2019), pp. 9-25. [10.5209/TRET.63214]
El teatro de Lope y la censura (siglo XVII)
Marco Presotto
2019-01-01
Abstract
The article proposes a critical panorama on the theatrical censorship of the work of Lope de Vega in the XVII century. From the available data and recent studies, the author defines the main types of intervention that can be documented with certainty, while accounting for significant cases of review of pieces where only hypotheses can be made about the reasons for changes, between the more than likely external pressure and the constant intention for rewriting by the dramatist.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione
