POST-PHYSIOGNOMY OF GOFFREDO PARISE. In the 1960s Goffredo Parise made use of a series of interesting similes in order to describe men and women of his time. The similarity between human being and animal makes room for comparisons with objects, that would mean the end of the traditional physiognomy. Can this rhetorical choice be considered a lucid and visionary anticipation of post-humanism?
La post-fisiognomica di Goffredo Parise / Rodler, Lucia. - In: AISTHESIS. - ISSN 2035-8466. - ELETTRONICO. - 13:1(2020), pp. 127-133. [10.13128/Aisthesis-11147]
La post-fisiognomica di Goffredo Parise
Rodler, Lucia
2020-01-01
Abstract
POST-PHYSIOGNOMY OF GOFFREDO PARISE. In the 1960s Goffredo Parise made use of a series of interesting similes in order to describe men and women of his time. The similarity between human being and animal makes room for comparisons with objects, that would mean the end of the traditional physiognomy. Can this rhetorical choice be considered a lucid and visionary anticipation of post-humanism?File in questo prodotto:
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