In the literature on dubbing there has been very little focus on the issue of directionality within the context of multilingual films. This paper hopes to redress the balance by focusing on the Italian dubbing of two English-language films – Eat, Pray, Love and Under the Tuscan Sun – the aim being to exemplify how the inherent alterity of foreign films can be foregrounded or suppressed by directionality strategies in the dubbing process.

Screening the foreign: directionality strategies used in the dubbing of Eat, Pray, Love and Under the Tuscan Sun / Stewart, Dominic. - In: INTRALINEA ON LINE TRANSLATION JOURNAL. - ISSN 1827-000X. - ELETTRONICO. - 18:(2016), pp. 1-21.

Screening the foreign: directionality strategies used in the dubbing of Eat, Pray, Love and Under the Tuscan Sun

Stewart, Dominic
2016-01-01

Abstract

In the literature on dubbing there has been very little focus on the issue of directionality within the context of multilingual films. This paper hopes to redress the balance by focusing on the Italian dubbing of two English-language films – Eat, Pray, Love and Under the Tuscan Sun – the aim being to exemplify how the inherent alterity of foreign films can be foregrounded or suppressed by directionality strategies in the dubbing process.
2016
Stewart, Dominic
Screening the foreign: directionality strategies used in the dubbing of Eat, Pray, Love and Under the Tuscan Sun / Stewart, Dominic. - In: INTRALINEA ON LINE TRANSLATION JOURNAL. - ISSN 1827-000X. - ELETTRONICO. - 18:(2016), pp. 1-21.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11572/156422
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