Mixed reality (MR) technologies hold promise for distributed musical collaboration, yet the needs of professional musicians remain underexplored. We conducted a set of co-design workshops with 24 professional musicians, organized into six four-piece bands, to envision future MR systems for networked music performance. Using a three-phase process (hands-on MR experience, individual brainwriting, and collaborative consensus-building), we identified core requirements that challenge current MR paradigms. Professional musicians operate from an “Audio-First” framework where sonic experience constitutes the primary reality, contradicting visual-first MR approaches. Five unanimous requirements emerged: audio-first workflow, support for non-verbal communication, personalized audio control, spatial layout customization, and plug-and-play simplicity. Other high-consensus themes included real-time voice communication and realistic avatar representation. Taken together, our findings reveal that professional creative collaboration demands fundamentally different design priorities than traditional office-centered collaborative MR applications, requiring systems that support established workflows and nonverbal communication channels while prioritizing workflow preservation over visual immersion.
Plug the Guitar In Before You Put the Headset On: Co-designing a Mixed Reality Collaborative Application with Professional Musicians / Boem, A., Casado, V., Bucciarelli, L., Turchet, L.. - (2026). (ACM Conference on Human Factors in Computing Systems (CHI) Barcellona 2026) [10.1145/3772318.3793871].
Plug the Guitar In Before You Put the Headset On: Co-designing a Mixed Reality Collaborative Application with Professional Musicians
Alberto Boem;Luca Turchet
2026-01-01
Abstract
Mixed reality (MR) technologies hold promise for distributed musical collaboration, yet the needs of professional musicians remain underexplored. We conducted a set of co-design workshops with 24 professional musicians, organized into six four-piece bands, to envision future MR systems for networked music performance. Using a three-phase process (hands-on MR experience, individual brainwriting, and collaborative consensus-building), we identified core requirements that challenge current MR paradigms. Professional musicians operate from an “Audio-First” framework where sonic experience constitutes the primary reality, contradicting visual-first MR approaches. Five unanimous requirements emerged: audio-first workflow, support for non-verbal communication, personalized audio control, spatial layout customization, and plug-and-play simplicity. Other high-consensus themes included real-time voice communication and realistic avatar representation. Taken together, our findings reveal that professional creative collaboration demands fundamentally different design priorities than traditional office-centered collaborative MR applications, requiring systems that support established workflows and nonverbal communication channels while prioritizing workflow preservation over visual immersion.| File | Dimensione | Formato | |
|---|---|---|---|
|
3772318.3793871.pdf
accesso aperto
Tipologia:
Versione editoriale (Publisher’s layout)
Licenza:
Creative commons
Dimensione
5.94 MB
Formato
Adobe PDF
|
5.94 MB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione



