This essay proposes new considerations relating to the style and chronology of the wall paintings of palazzo Noriller. Thanks to the study of fashion, it is possible to date the frescoes to the seventh-eighth decade of the fourteenth-century. Stylistically it is possible to underline the extremely graphic manner of the painter active in Noriller, unique within the artistic production of Rovereto in the second half of the fourteenth-century.
Gli affreschi di Palazzo Noriller. Nuove considerazioni su stile e cronologia / Beato, Marcello. - STAMPA. - 60:(2020), pp. 25-39.
Gli affreschi di Palazzo Noriller. Nuove considerazioni su stile e cronologia
Beato, Marcello
2020-01-01
Abstract
This essay proposes new considerations relating to the style and chronology of the wall paintings of palazzo Noriller. Thanks to the study of fashion, it is possible to date the frescoes to the seventh-eighth decade of the fourteenth-century. Stylistically it is possible to underline the extremely graphic manner of the painter active in Noriller, unique within the artistic production of Rovereto in the second half of the fourteenth-century.File in questo prodotto:
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