Anticipation plays an essential role in the perception of the empirical reality (see Albertazzi, this Handbook). Music, because of its purely dynamical nature, is a privileged environment for the study of anticipation processes. In this chapter, we firstly discuss the current viewpoint on anticipation in music perception and the meaning of anticipation structures in general. Then we present a descriptive study of how melodies are experienced inside the psychic present, analyzing a series of musical excerpts alongside selected pictorial analogues. Focusing on the dynamic patterns shared by auditory and visual modalities, we discuss the nature of perceptual continua and their boundaries in the subjective space-time.
Anticipation on the Boundaries of Musical and Pictorial Continua / Hachen, Iacopo; Albertazzi, Liliana. - STAMPA. - (In corso di stampa).
Titolo: | Anticipation on the Boundaries of Musical and Pictorial Continua | |
Autori: | Hachen, Iacopo; Albertazzi, Liliana | |
Autori Unitn: | ||
Titolo del volume contenente il saggio: | Handbook of Anticipation | |
Luogo di edizione: | New York | |
Casa editrice: | Springer | |
Anno di pubblicazione: | 9999 | |
Handle: | http://hdl.handle.net/11572/195647 | |
Citazione: | Anticipation on the Boundaries of Musical and Pictorial Continua / Hachen, Iacopo; Albertazzi, Liliana. - STAMPA. - (In corso di stampa). | |
Appare nelle tipologie: | 02.1 Saggio su volume miscellaneo o Capitolo di libro (Essay or Book Chapter) |
File in questo prodotto:
File | Descrizione | Tipologia | Licenza | |
---|---|---|---|---|
Albertazzi Hachen.pdf | Post-print referato (Refereed author’s manuscript) | Tutti i diritti riservati (All rights reserved) | Administrator |